Helon Habila on African fiction’s new “aesthetic of suffering”

One well-known articulation of an argument Aminatta Forna is pushing back against.  Bulawayo’s novel, in my reading, is way savvier about this whole “poverty porn” thing than Habila gives her credit for.  That said, Habila’s point about the way in which fiction is just as capable of reinforcing reductive stereotypes about Africa as it is of challenging those stereotypes is, I think, an important one.  (And the one Habila novel I’ve read, Oil on Water, is a fantastic read, so even if you don’t agree with his argument here, don’t be turned off to his fiction!)


This entry was posted in Uncategorized and tagged , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s